Books
Composition, Cognition, and Pedagogy
Marcos Nogueira & Guilherme Bertissolo
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Encontros de Cognição Musical 2020
Guilherme Bertissolo & Marcos Nogueira
Available here.
Selected Papers/Chapters
“Composition, culture and embodied cognition: consciousness and reciprocity in the field of choices,” Composition, Cognition, and Pedagogy (Music and Cognition Series), edited by Guilherme Bertissolo and Marcos Nogueira, Brazilian Society for Music Cognition (2020)
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“State of readiness: performative research and collaboration in the interartistic creative processes in Converse,” co-authored with Lia Sfoggia and Luciane Cardassi, ARJ – Art Research Journal, v. 7 n. 2 (2020).
Available in https://periodicos.ufrn.br/artresearchjournal/article/view/20296.
“Shared musical creativity: teaching composer-performer collaboration,” co-authored with Luciane Cardassi Revista Vórtex | Vortex Music Journal, v.8 n.1, 2020.
Available in http://periodicos.unespar.edu.br/index.php/vortex/article/view/3449/2272
“Afefê 1: state of readyness, mappings and memory mechanisms in a collaborative creative process,” co-authored with Lia Sfoggia and Ráiden Coelho, Encontros de Cognição Musical, edited by Guiherme Bertissolo and Marcos Nogueira,, Brazilian Society for Music Cognition (2020)
Available here.
“m’bolumbümba: capoeira regional, experiência e composição,” co-authored with Lia Sfoggia, Capoeira em múltiplos olhares: estudos e pesquisas em jogo, edited by Antônio Liberac Cardoso Simões Pires, Franciane Simplicio Figueiredo, Paulo Andrade Magalhães Filho, Sara Abreu da Mata Machado. 2 ed, Fino Traço (2020)
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“Composing understandings: music, motion, gesture and embodied cognition”. In: New interfaces for musical expression, 2019, Porto Alegre. Proceedings of the international conference on new interfaces for musical expression. Porto Alegre: UFRGS/NIME, 2019. p. 361-364.
Available in http://www.nime.org/proceedings/2019/nime2019_paper069.pdf
“Cycles in Music: Spaces, Experience and Applications in Music Theory and Composition”. MusMat – Brazilian Journal of Music and Mathematics, v. 2, p. 1-13, 2018.
Available in https://musmat.org/wp-content/uploads/2018/06/01-Bertissolo-1.pdf
“Feldman’s Violin and Orchestra: pattern as compositional resource and homogeneity/heterogeneity contrasts as orchestral strategy”. ART Review, v. 026, p. 1-28, 2014.
Available in https://www.revista-art.com/feldman-s-violin-and-orchestra-pattern-as-compositional-resource-and-homogeneity-heterogeneity-contrasts-as-orchestral-strategy
“Composição e cognição: Contribuições da cognição incorporada para a criação de estratégias para o compor”. PERCEPTA – REVISTA DE COGNIÇÃO MUSICAL, v. 5, p. 57-77, 2017.
Available in https://www.abcogmus.org/journals/index.php/percepta/article/view/118
“Corpos que são: apontamentos sobre memória e performance em dança e música,” co-authored with Lia Sfoggia. Revista Eletrônica MAPA D2 – Mapa e Programa de Artes em Dança (e Performance) Digital, v. 3, p. 84-94, 2016.
Available in https://portalseer.ufba.br/index.php/mapad2/article/view/20574
“Capoeira e Composição: diálogos entre cognição e processos criativos,” co-authored with Paulo Costa Lima. PERCEPTA – Revista de Cognição Musical, v. 1, p. 33-54, 2013.
Available in https://www.abcogmus.org/journals/index.php/percepta/article/view/15
“Trama em Espelho”. In: Simone Marques Braga e Mônica Cajazeira Santana Vasconcelos. (Org.). Tocar, cantar, criar: a composição no ensino musical. 1ed.Feira de Santana: Editora da UEFS, 2018, v. , p. 211-218.
“Transversalidade: música e movimento”. In: Felipe Amorim e José Antônio Baêta Zille. (Org.). Música, transversalidade – Série Diálogos com o Som. 1ed.Belo Horizonte: EdUEMG, 2017, v. 4, p. 17-43.
Available in http://eduemg.uemg.br/images/livros-pdf/catalogo-2017/2017_MUSICA_TRANSVERSALIDADE.pdf
“Dinâmicas do Compor entre Música e Movimento”. In: Paulo Costa Lima. (Org.). Teoria e Prática do Compor IV. 1ed.Salvador: EDUFBA, 2016, v. , p. 23-90.
Available in https://repositorio.ufba.br/ri/bitstream/ri/29066/1/teoria-e-pratica-do-comporIV-repositorio.pdf
“O pato-coelho da criação em música: intencionalidade, experiência e intersubjetividade”. In: Paulo Costa Lima. (Org.). Pesquisa em música e diálogos com produção artística, ensino, memória e sociedade (Série Paralaxe v. 1). 1ed.Salvador: EDUFBA, 2016, v. 1, p. 221-236.
More information in http://www.edufba.ufba.br/2017/06/pesquisa-em-musica-e-dialogos-com-producao-artistica-ensino-memoria-e-sociedade/
“M’bolumbümba: Sound in/and Movement in Acoustic, Bodily and Metaphorical Spaces,” co-authored with Lia Sfoggia. In: José Luis Carles Arribas; Adolfo Núñez Pérez. (Org.). Espacios Sonoros y Audiovisuales 2013: creación, representación y diseño. 1ed.Madri: Centro Superior de Investigación y Promoción de la Música, y Departamento Interfacultativo de Música, 2015, p. 52-62.
Available in https://www.dropbox.com/s/8jxjaaxykhpc86m/artigo-espacios-sonoros.pdf
Guilherme Bertissolo 